Tag Archives: Repertoire

How Do You Advocate for New Music?

So many presenters are resistant towards the programming of new music. How does an artist that’s passionate about new music advocate for the presentation of that work? In this segment with Noted Endeavors’ Eugenia Zukerman and Emily Ondracek-Peterson, pianist Bruce Levingston talks about how programming within context can make presenters enthusiastic about the proposition.

Bruce Levingston is a concert pianist and one of the country’s leading figures in contemporary classical music. He is known for his “extraordinary gifts as a colorist and a performer who can hold attention rapt with the softest playing” (MusicWeb International). Many of the world’s most important composers have written works for him, and his Carnegie Hall and Lincoln Center world premiere performances have won notable critical acclaim. The New York Times has praised his “mastery of color and nuance” and called him one of “today’s most adventurous musicians”; the New Yorker has called him “a force for new music” and “a poetic pianist with a gift for inventive — and glamorous — programming.”

For more about Bruce, go to:
brucelevingston.com

Mohammed Fairouz Full Interview

In this wide-ranging interview, Mohammed Fairouz talks with Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors about various issues facing musicians, the state of the world, and the aesthetics of being a successful composer. Thanks to Carnegie Hall for hosting!

Mohammed Fairouz, born in 1985, is one of the most frequently performed, commissioned, and recorded composers working today. By his early teens, the Arab-American composer had journeyed across five continents, immersing himself in new sounds and experiences. His catalog encompasses virtually every genre, including opera, symphonies, vocal and choral settings, chamber and solo works. His voice as a composer is personal, filled with imagination and surprises.

For more about Mohammed Fairouz, go to:
MohammedFairouz.com

Kronos Quartet: 50 for the Future

To celebrate its 125-year anniversary, Carnegie Hall is commissioning 125 new works. The Kronos Quartet is an important piece of the project, providing 50 of the commissions as part of the quartet’s 50 for the Future project. 50 pieces (25 by women composers) written by composers throughout the world will be premiered by Kronos and the music provided for free through its website.

In this video, Kronos founder and 1st violinist David Harrington, along with Kronos Managing Director Janet Cowperthwaite, talk about the Fifty for the Future project, detailing the process from inception to realization.

David Harrington founded the Kronos Quartet in 1973. The quartet has since gone on to become one of history’s most important new music ensembles, having commissioned over 850 works.

For more about the Kronos Quartet, go to:
kronosquartet.org

Fifty for the Future:
kronosquartet.org/fifty-for-the-future

Fiscal Sponsors and Fundraising

You have a great idea for a project, but it needs something…money. How do you fundraise, receive the money, offer tax deductions to donors, etc? Watch and learn as Anthony de Mare talks about fundraising for his project, LIAISONS: Re-Imagining Sondheim from the Piano.

ANTHONY DE MARE is one of the world’s foremost champions of contemporary music. Praised by The New York Times for his “muscularly virtuosic, remarkably uninhibited performance [and] impressive talents”, his versatility has inspired the creation of over 60 new works by some of today’s most distinguished artists, especially in the speaking-singing pianist genre, which he pioneered over 25 years ago with the premiere of Frederic Rzewski’s groundbreaking ‘De Profundis’.

He has performed Liaisons programs across the U.S., Canada and Cuba including Virginia Tech Center for the Arts, The Ravinia Festival, the Gilmore Keyboard Festival, the Virginia Arts Festival, the Clarice Smith Performing Arts Center, Schubert Club in Minneapolis, Mondavi Center at UC Davis, Rockport Music Festival, the Cliburn Series in Fort Worth, and Music at Meyer in San Francisco.

For more about Anthony, go to:
anthonydemare.com

 

Matt Haimovitz: The Birth of Alternative Performance Spaces

Matt Haimovitz is redefining what it means to be a musician in the twenty-first century. In this segment with Noted Endeavors founders, Eugenia Zukerman and Emily Ondracek-Peterson, Matt tells the story of how he started the movement of classical musicians performing at alternative venues.

Haimovitz made his debut in 1984, at the age of 13, as soloist with Zubin Mehta and the Israel Philharmonic. At 17 he made his first recording with James Levine and the Chicago Symphony Orchestra, for Deutsche Grammophon. Haimovitz has since gone on to perform on the world’s most esteemed stages, with such orchestras and conductors as the Berlin Philharmonic with Levine, the New York Philharmonic with Mehta, the English Chamber Orchestra with Daniel Barenboim, the Boston Symphony Orchestra with Leonard Slatkin and the Montreal Symphony Orchestra with Kent Nagano. Haimovitz made his Carnegie Hall debut when he substituted for his teacher, the legendary Leonard Rose, in Schubert’s String Quintet in C, alongside Isaac Stern, Shlomo Mintz, Pinchas Zukerman and Mstislav Rostropovich.

In 2000, he made waves with his Bach “Listening-Room” Tour, for which, to great acclaim, Haimovitz took Bach’s beloved cello suites out of the concert hall and into clubs across the U.S., Canada, and the U.K. Haimovitz’s 50-state Anthem tour in 2003 celebrated living American composers, and featured his own arrangement of Jimi Hendrix’s “Star-Spangled Banner.” He was the first classical artist to play at New York’s infamous CBGB club, in a performance filmed by ABC News for “Nightline UpClose.” Soon thereafter, Haimovitz launched Oxingale Records with his wife, composer Luna Pearl Woolf. Oxingale records have since received wide acclaim for its stunning recordings.

To learn more about Matt, go to:
matthaimovitz.com